In 1970, Mikey and William both portrayed football cannibal Smash-Mouth in the influential cult hit, End Zone 2. Now, 50 years later, only one can wear the mask.

In 1970, Mikey and William both portrayed football cannibal Smash-Mouth in the influential cult hit, End Zone 2. Now, 50 years later, only one can wear the mask.

A man and a woman find their orbits repeatedly colliding over the course of 12 years, four planets, three dimensions and one space cult.

Reality quickly unravels when antisocial Yukiteru is called into a death match against 11 other mentally scarred individuals. Each player has a prophetic device tuned to their personality, giving them control over their future—and the fate of their foes.

In July 1942, during the Vel’ d’Hiv’ Roundup of Jewish families in Paris, 13 year old Tauba Birenbaum and her parents, who are Polish Jews, find refuge in a tiny room for the next 765 days. Living conditions are tough and they fear being discovered at any moment. But while her parents sink further into despair, Tauba’s fighting spirit shines through. She finds joy in every little thing, from a piano drawn on the floor, to the views of Paris through an open window. Despite extreme circumstances, she will keep hope until the liberation of Paris, and take back control of her life.

A smart and innovative look at the possible futures of a young Chinese immigrant to Buenos Aires, told in the stilted language of an elementary Spanish textbook.

From first love to first divorce, Romina and Flor experience different stages of their lives together, in Argentinian director Constanza Novick's exploration of friendship between women.

Each love story in the film takes us to a different past, from a different present. The hope for a bright future is an illusion that keeps us expecting, as it unleashes the anguish of waiting for something extraordinary to happen. In this strange time, shaped by memory pieces and by what could have happened but didn’t, is where the characters of the film inhabit, awaiting the arrival of the future. The storyteller in “In the Future” is a ghost. My ghost.

The film portrays Saint Peter reflecting on his time with Jesus and his fellow Apostles during his final imprisonment in Rome. In particular, Peter attempts to convert one of his jailers, Martinian, by relating the life, teachings, and sacrifice of Jesus.

Paris, 1978. In a male-dominated music industry, Ana uses new electronic machines to make herself heard, thus creating a new sound that is destined to mark the decades to come: the music of the future.